Wednesday, May 27, 2015

Entry 3 - Marxist Theory in The Catcher in The Rye

If teaching Catcher in the Rye by J.D. Salinger were to be paired with a Select Literary Theory, the Marxist theory would be a natural approach. The Marxist theory is based on the philosophy of Karl Marx and has the students view the text as a product of work while focusing on class and power relationships (Bucher and Hinton, 67). Through this theory students can examine issues of power, class, resistance, and/or ideology. In Catcher in the Rye there are some clear examples of class conflict and economic power, as well as Holden, the main character's, resistance to be a part of any specific social class.

Holden is adamant about not wanting to be a “phoney.” He often refers to most of the other people he meets as “phonies.” For example, when referring to one of his old Headmasters, Mr. Haas, Holden says, “...(he) was the phoniest bastard I ever met...if a boy's mother was sort of fat or cony looking...and if somebody's father wore those suits with very big shoulders and corny black-and-white shoes, then old Haas would just...give them a phony smile and then go talk ...with somebody else's parents” (Salinger, 14). Holden has a clear image of at least one incident in almost of the people he comes across that would classify them as phoney in his eyes. He is terrified of being phoney himself and at one point refuses to eat his bacon and eggs because the person next to him only has coffee and toast (Salinger, 100).

An example of the Marxist theme of economic power in Catcher in the Rye is when Holden reminisces on a time at one of the boys' schools where his roommate is much less off than his family. 
Holden's bags are name-brand and rather expensive, whereas his roommate's are knock-offs and clearly tattered. Feeling embarrassed by his family's money, Holden places his bags under his bed where no one can see them, but his roommate takes them out and places them on the rack for all to see, hoping that others will mistake them as his (Salinger, 108). This clearly shows a struggle among classes, as well as economic power. Holden also does not feel that he fits in to any one class nor does he have a desire to because he finds them all to be phoney. He says, “...it's (the world) is full of phonies. And all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day” (Salinger, 13). Holden's resistance to become part of society is only perpetuated by the fact that he is clearly a very privileged, white, depressed young man, who has a hard time finding the good in any situation.

Another example of Marxism in Catcher in the Rye can be seen in Holden’s privileged status and it's stark contrast to the scenes and people that he encounters in New York. For example, Holden's interactions with Maurice and Sunny. Maurice is the elevator man, who is clearly also trying to make some extra money by pimping out ladies to hotel guests and Sunny is the girl that he sends to Holden's room. Holden immediately feels poorly for doing anything with Sunny because of the clear class difference. Maurice sees an opportunity to take advantage of a young, wealthy boy and ends up physically assaulting Holden for more money than they originally agreed upon. Both of these are examples of the contrast between Holden's social status and other people that he encounters in New York.

When introducing the Marxist theory, a teacher could start by asking students to think about class and power structures, through cliques and groups, in their school. He/she could use the examples of athletes (jocks) and academics (nerds) and have students think of other types of cliques that could be included. Then, have the cliques/classes ranked from the most to the least influential/powerful with justification for their rankings. If prompting was needed, the teacher could ask questions such as, Are there specific groups with power? Without power? Where does the power come from in these groups? Is your perception of power affected by your personal experiences with some of these groups? Are class structures fixed or is it possible to move among the class designations?


Finally, the teacher will explain that power and class structures are a part of a literary theory called Marxism and that the novel they will be reading include issues of power between and among characters and groups. While the students are reading Catcher in the Rye, they would be looking for clues that point to or justify the Marxist theory. Using this approach to Marxism, the teacher could clearly help guide students to see the themes of class conflict and economic power that are prevalent in this book.

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