Friday, May 29, 2015

Blog 1: I Am the March Sisters



              Young adult literature is a loosely defined grouping of literature. Bucher and Hinton, in fact, note varying definitions of what young adult literature is and who young adults are. These definitions differ in age spans, qualifying characteristics, and rates of quality. Bucher and Hinton graft together several definitions into a consensus of ideas. The pair explains that young adult literature exhibits an excellence of form, depicts a unique adolescent point of view, and reflects young adult issues (Bucher and Hinton, 8). Although Little Women contains antiquated ideologies of the female’s role in society and daily habits not regularly observed in the 21st century, the text adheres to Bucher’s and Hinton’s definition of young adult literature while allowing readers to identify with each March sister.
            From the opening lines of Little Women, readers can identify with each sister’s point of view. Readers first glimpse the sisters on the eve of a Christmas without gifts. Jo, Meg, and Amy are each sadden by the knowledge that they will not receive gifts. In turn, the sisters lament their misfortune. Beth, however, attempts to discover something positive in their situation. She explains “We’ve got Father and Mother, and each other” (Alcott, 1). Readers can readily identify with wanting gifts and the disappointment of not receiving any. Alcott features four sisters who desire what many young adults desire today: new things. The situation the March sisters find themselves in is still relatable to readers today.
            In addition, readers can relate to the sibling dynamics Alcott introduces throughout the text. Readers can easily understand Jo’s outrage at Amy when she discovers her manuscript was burned (41). Readers who experienced a sibling date or marry a new partner can identify with Jo’s jealousy of Meg and Mr. Brooke’s relationship and marriage. Many readers can remember a similar sense of humiliation Amy experienced after she was punished at school. Even the outgoing young adult can identify with timid Beth who fears the new and different. Each sister, while characterized very differently, contain characteristics that young adult readers find within themselves.
            As readers are able to relate to each sister’s point of view, they become aware of issues they share with the March sisters. As the sisters grow, their perspectives begin to shift from the family to the outside world. Amy continues to seek high society and art. As she takes art lessons, she becomes acquainted with many young women. Amy wants their friendship and invites her art class to a special dinner party (146). Her efforts are nearly in vane as only one young woman attends. Amy’s need to be accepted and liked drives her to wonder “where all her money had gone to” (148) as she purchased the necessary items for the dinner. Young adults can identify with Amy’s desire for acceptance by those outside of her family.
            Young adults can also identify with the frustrations and pain of the other March sisters. Jo becomes frustrated with her dependence and desperately seeks independence. Mr. March and Beth become ill. Love interests develop for Meg, Amy, and Jo. Perhaps an issue young adults can most easily understand is that of body image. Amy despises her nose and feels she is uglier because of it. Jo, after she cuts her hair, is sad because it was the only feminine feature she and the family valued. Young adults confront a world obsessed with one’s body image. Readers observe their own experiences through the March sisters’ lives.
            While some of the experiences explored in Little Women may feel outdated, the text presents these experiences and characteristics in a way that allows young adult readers to say “I am the March sisters”. Each sister has characteristics readers can identify with. Jealousy, disappointment, and fear are emotions every person experiences. As their bodies change, they battle insecurities about their body image just like Jo and Amy. It is difficult to define the characteristics of young adults and to categorize young adult literature. While some literary scholars may find the characteristics of young adult literature futile to define, those definitions are invaluable. Young adult readers need literature they can identify with and be engaged in. Guidelines and definitions allow teachers to select age appropriate literature for students that students will be read. In order for students to read the classics, they must first be confident, engaged readers. Alcott’s Little Women presents readers with dynamic, relatable characters and experiences that engage young adult readers. It is a timeless example what of defines young adult literature.


Works Cited

Alcott, Louise May. Littler Women. Google E-book.
Bucher, Katherine and Kaavonia Hinton. Young Adult Literature: Exploration, Evaluation,       and Appreciation. 3rd ed. Boston: Pearson, 2014. Print.
            

5 comments:

  1. Ashley,

    I particularly like your conclusion paragraph and how you explain the importance of defining YAL.

    I also love your title and your explanation of how/why young girls can relate to each of the sisters.

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  2. I agree that insecurity about body image is an issue that readers can identify with regardless of race, class, or gender. While the ordinary concerns of the sister's are identifiable for ordinary people, I wonder if Amy's dislike of her nose and Jo's temporary loss of her hair are minor issues compared to the modern issues that young adult's face such as bullying over body image.

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  3. "While some of the experiences explored in Little Women may feel outdated, the text presents these experiences and characteristics in a way that allows young adult readers to say “I am the March sisters”."

    I love this idea of "I am the March sisters," and I agree that there are a vast amount of experiences and characteristics of the characters that young people can relate to in their own lives, which makes the book relevant to modern readers. I think it is important for young people to have these kinds of characters that they feel like they can relate to that deal with everyday kind of issues. They can see a character like Jo who does not necessarily fit the mold of what society wants her to be, yet she still makes it out okay, and they will too.

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  4. Dawn,

    I think the body image issues in Little Women are minor. However, some people are bullied because they have weird noses or experimented with a new hair cut...which failed. Kids today can be really mean, they have always been mean, but it seems that there is no restraint for some bullies as to the length and depth that they will go to dehumanize another student. What may seem small to us is a big deal to our students.

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  5. Very interesting response and comments here! I do think a lot of the enduring appeal of the book comes from our tendency to identify ourselves, our family members, or our friends with characters from the book. I can think of many other texts where this happens: Harry Potter (which "House" would you be in?), The Sisterhood of the Traveling Pants, for instance, or, when women are older, Sex and the City. (I never watched that show, but maybe you get my point?) For better or worse we like identifying people with "types." Later in the semester, I might share with you an article that makes this exact point specifically about YAL: that we respond to it because it helps us categorize ourselves and others.

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