Sarah
Dryer does a fantastic job convincing the reader to bring young adult
literature into the classroom. She argues that “Although, the canon
is filled with important titles, high school English teachers need to
focus much less on classic literature and much more on young adult
literature in order to best serve their students.” Her belief is
that there is an undeserved stigma attached to young adult literature
and that it in fact is beneficial to students of all ages and
abilities. She argues that many young adult titles are “complex,
interesting, and more pertinent to modern readers' lives than classic
texts.” Dryer is successful in providing reasons why the young
adult literature should be embedded into the curriculum and how
teachers can go about incorporating titles into their classroom.
She begins by stating that students are going to get the same access
to literary theory whether the teacher uses classic novels or young
adult novels. Dryer states that, in her opinion, the young adult
titles are reaching the same language arts curriculum standards and
yet, they offer more to the readers. Her next argument is that young
adult literature is a “powerful way for teachers to include
multiculturalism in their classrooms.” The characters in the young
adult literature are of a wider variety and include female voices,
LGBT voices, and voices from many races and cultures. Dryer argues
that students need to be exposed to multiculturalism because it is
more immediately relevant to the readers' lives and it helps them
develop into empathetic members of our diverse society.
Part of Dryer's successful persuasion lies in her citing other
professionals research or personal experiences/opinions. One such
example is through another teacher, Patti Swartz, that backs up
Dryer's belief in young adult literature providing classrooms with
tools to change students' intolerant attitudes towards the LGBT
community, specifically. Another example is when Dryer cites the
results of the qualitative research done by Wayne Martino, where he
concluded that the students identified with a gay protagonist and
that such classroom reading and discussion might not only increase
student tolerance, but also change their concept of normal. Dryer
even quotes young adult authors. One such example is Chris Cutcher,
who says that young adult literature can help teenagers believe that
they will survive their adolescence.
Dryer's next reason for using young adult literature is her belief
that although the genre benefits all readers, it is particularly good
for reluctant readers. She states that reading expert Kylene Beers
has identified characteristics that appeal to kids who are reluctant
to read. It is the belief of Dryer and Beers that young adult
literature is more likely to have these characteristics than classic
novels.
Dryer's last point is that many classics have been read so many
times and are so well known that students begin the book looking for
the “One True Meaning” rather than to interpret the book for
themselves. She quotes Harry Mazer saying that “the classics are
too distant from the lives of kids.” and that students should be
reading to enjoy and interpret nooks themselves.
Once Dryer adequately convinces teachers to use young adult
literature in their classrooms, she then goes on to give teachers
advise on how to select titles that will expose their students to
“high-quality writing, important real-world questions, and a
personal meaningful reading experience.” She argues that teachers
should take the selection process seriously. Dryer suggests using
books that have been considered for a prestigious award or that are
very popular among teenage readers.
The article is closed with teaching strategies for how to
incorporate these books into the classroom. Dryer suggests using
literature circles; using current technology for blogging or
discussing books, such as Facebook or Twitter; having students write
creative responses to texts; integrating the the book with other
content areas or the arts; pairing it with the canon/classics; and
allowing students time to read their own books in the classroom. She
provides details and examples of each suggestion.
This article was powerful and successful in convincing teachers to
bring young adult literature into their classrooms because Dryer
provided good evidence of the benefits of such books and then helped
teachers apply this to their classrooms by giving them advise on how
to choose said books and what instructional activities could
accompany them.
I agree that Dyer presents a convincing argument for using young adult literature in the classroom. One point you touched on that I really like, which I neglected to mention in my own response, is how literary devices and theories can be taught with works of young adult fiction, not just the classics. Dyer talks about how young adult literature "reaches the same language arts curriculum standards as the study of traditional literature" (Dyer 33). I think there is a tendency to rely on the classics while teaching literary devices and theories because it is familiar to do so. It would be interesting to see more teachers step out of their comfort zone and utilize some young adult texts to meet the standards, which Ostenson and Wadham claim is quite possible with the Common Core standards.
ReplyDeleteHeather,
DeleteYes!! I completely agree. What I took from this article is that we should try to step out of our comfort zones and try incorporating more YAL into the classroom.
Heather,
DeleteYes!! I completely agree. What I took from this article is that we should try to step out of our comfort zones and try incorporating more YAL into the classroom.